000			02831cam a2200241 i 4500
003			BR-SpNIC
005			20240612181407.0
008			190830s2020 caua b 001 0 eng
010			_a 2019038803
020			_a9781503612976
040			_aBR-SpNIC _beng _cBR-SpNIC
082	0	0	_a346.8104
100	1		_aDent, Alexander Sebastian _94865
245	1	0	_aDigital pirates : _bpolicing intellectual property in Brazil /
264		1	_aStanford, California : _bStanford University Press, _c2020.
300			_axi, 194 p. : _billustrations ; _c23 cm
505	0		_aIntroduction : the joys and sorrows of digital textuality -- "Magical" consumption and the violence of informality -- The materialities of digital texts -- Bordering, the Internet, and Paraguayan horses -- Pre-Papal preparations and cellularity -- Digital textuality as interruption -- Conclusion : stationary Indians and corporate raiders.
520			_a"Today's intellectual property regime is dysfunctional. The extensive policing of copying does not reduce rates of "piracy," nor does it get producers of music, movies, or medicines paid more or more inclined to innovate. But what new modes of circulation and production have emerged from this rupture, and what is the lived experience of navigating this failed regulatory regime? Through a study of unauthorized creation, distribution, and consumption of movies and music in Brazil between 1998 and 2015, this manuscript offers a new definition and conception of piracy, showing how increasing global enforcement of IP has made piracy even more indispensable to participating in contemporary capitalism. Complex and capricious laws may prohibit it, but piracy has become a core, quotidian activity of the twenty-first-century. Combining the tools of linguistic and cultural anthropology as well as theoretical models from media studies and political economy, Digital Pirates examines the dynamics of IP and piracy, showing they serve as covalent strategies for managing the gaps between texts, in this case, digital content. Dent's analysis includes his fieldwork in and around Sao Paulo with pirates, musicians, filmmakers, police, salesmen, technicians, policy makers, politicians, activists, and consumers. Through its novel theorization of "digital textuality," this manuscript offers crucial, teachable insights into the formal qualities of today's mediascape as well as the particularized political and cultural norms that govern it and work together to simultaneously generate piracy, anti-piracy enforcement, and fraught consumer experiences-in Latin America and beyond"-- _cProvided by publisher.
650		0	_aPirataria de software _zBrasil _xAspectos legais _92226
650		0	_aDireito autoral _xPirataria _zBrasil _9464
650		0	_aPropriedade intelectual _zBrazil. _9338
942			_2ddc _cL _k346.8104 _mD414d
999			_c2672 _d2672